Antiquaire

Graubner's paintings concentrate on allowing pure colour to appear in the most immaterial possible way. Volume, space and colour are at the heart of the artist's body of work. During his artistic career, Graubner materialized his pictorial concept through the notion of Farbraumkörper or 'Color Space Body', producing a colour formation of indefinite depth comparable to the works of Mark Rothko. Colour became the medium of the art work itself.

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This beautifully sculpted head of a Buddha fully captures a physical essence of serenity coupled with a true effortlessness of being. The subtle fleshiness of the check and chin and the curvature of the eyebrows are typical for Northern Qi art.

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Swiss-born architect and furniture designer Pierre Jeanneret (1896-1967) worked for most of his life alongside his cousin Le Corbusier. In 1926 they published their manifesto “Five Points Towards a New Architecture" which served as the backbone for their architectural aesthetic.

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Presence versus absence, materiality versus absence, tangibility versus immateriality, chaos versus order: Anish Kapoor's work is full of apparent contradictions and dualities. The results are "voids", or objects that are not objects, "something that actually does not exist".

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This fragmentary red granite head in all likelihood depicts either a royal figure or a deity. The archaizing features of the triangular face are delicately sculpted, featuring a broad nose, prominent cheekbones and a rounded chin. The fleshy lips are pursed into a serene smile, further accentuated by the indented corners of the mouth.

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Antoni Tàpies shared a sensibility with artists affected by the Second World War and the dropping of the atomic bomb. He soon expressed an interest in rough matter - earth, dust, atoms and particles - which made him start using all kinds of materials foreign to academic artistic expression and experimenting with new techniques. The matter paintings make up a substantial part of his work.

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The 1950s were a significant period in Japan for experimental art. This was the decade when the Experimental Workshop was founded by the critic Shuzo Takiguchi. Yamaguchi was one of the founder members. The group's uniting principle was to treat experiment as if it were as important in art as it is in science. Their activities involved all available media, and some of their memorable works included performance, stage design, photography, light sculptures, concerts, and slide and sound presentations.

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César was at the forefront of the Nouveau Réalisme movement with his radical compressions (compacted automobiles, discarded metal, or rubbish), expansions (polyurethane foam sculptures), and fantastic representations of animals and insects.

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Zanine's eye for the inherent beauty of native Brazilian woods, as well as for their technical properties, is reflected in the organic quality of lounge chair. The laid-back character of the chair, enhanced by a warm patina, creates a welcoming and comfortable aspect.

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